
I'd Scott, I'd be most interested to see this paper.  On one level, I think
you'r right in assuming that there are collisions and tensions arising from
the use of language - but I think there are many many points of contact
also.  I think many of that problems arise in talking - in theoretical
discussion - disappear in the actual work process itself.  As we've been
saying recently, you've just got to dance.  I think the work itself
overcomes the language barriers - particularly as all our vocabularies are
strained by the kind of work that working in this area tends to produce.
R
R i c h a r d   P o v a l l
Assoc. Prof of Computer Music and New Media / Chair, TIMARA Dept.
========================================================================
MPO Box 0332                         ||                  TIMARA/Studio 5
Oberlin, OH 44074-0332  USA          ||    Oberlin Conservatory of Music
Voice: +1.440.775.1016               ||                  Oberlin College
Fax: +1.440.775.8942                 ||           Oberlin, OH 44074  USA
email: Richard.Povall@oberlin.edu
website:  http://www.timara.oberlin.edu/people/~rpovall/home.html
======   =====   ======   =====   =====   =====   =====   =====   ======
The Dartmoor Project
High Moorland Business Centre, The Old Duchy Hotel, Princetown, Yelverton,
Devon, PL20 6QJ  UK
Voice:  +44.(0)1822.890539
Fax:  +44.(0)1822.890566
website:  http://www.timara.oberlin.edu/people/~rpovall/dartproj.html
========================================================================
========================================================================