
I should have read your message before adding my comments to Robert's
in my previous mail. You mention many similar things.
On Mon, 4 May 1998, Richard Povall wrote:
> Robert wrote:
> >
> >We want to be able to get up and have IT happen!  We want SATISFACTION!
> >NOW!!!  Some of the most enthusiastic supporters of work of this kind have
> >never actually used it very much.  I think this goes for choroegraphy
> >softwares as well.  In the beginning there is this -- what Germans call the
> >"Aha" effect.  Everyone is delighted.  at first.
> 
> But this also brings up another dilemma.  We don't expect people with no
> training of any kind to get out there and just, well, "dance".  We don't
> expect people to pick up a saxophone and make beautiful sounds in the first
> five minutes.  
[violins = sax]. Indeed it's even harder here, because successful
techniques have already been developed and mastered for these instruments
(constrained ones) over hundreds of years. We are only beginning. 
> Of course this is beginning to take on a rather elitist stink - but I don't
> really mean it to.  Practice, as they say, makes perfect, and we cannot,
> and should not, expect instant results from instruments that are (and to
> some degree, have to be) difficult to play.
Yep.
> What was their violin playing like, I ask, after only
> three months of playing?
I really should have read your mail first.
 
> This is not an argument that better software can't be made, because it
> surely can.  
It is being made.
Darren
********************************************************************
Darren Kelly, DESY -MPY-, Notkestr.85,22603 Hamburg, Germany		
Phone:+49-40-8998-4569 Fax:+49-40-8998-4305 Email:kelly@x4u2.desy.de
[NB: Residential address and phone invalid after 25th May 1998]