Observations: Prud'hon's Materials
Pierre-Paul Prud'hon
detail --Academie
Charcoal, heightened with white chalk, on blue paper
Many of Prud'hon's drawings on blue paper have faded to shades of tan. Various reproductions in my reference hint at the original color, but from these, I couldn't know what blue was used. However, color may be a moot point, given the slim pickings in today's available papers. Perhaps it is enough to know that the paper was blue. It must certainly have been a middle value, between #'s 3 and 5 in the scale below. In the case of #5, the artist can go equally darker and lighter from the blue base. If using #3, the artist can use the paper for middle and darker lights.
Throughout my book is evidence of a laid paper texture, as seen in the detail above. The degree of texture in this paper must have been subtle, since it was easily obscured with certain treatments. From experience, I imagine that the paper needed enough tooth to capture and hold pigment, but it also had to be pliable enough for the laid ridges to back off under the mild pressure of a sharpened chalk, allowing for uninterrupted crisp lines.
Pierre-Paul Prud'hon
detail --Academie
Charcoal, heightened with white chalk, on blue paper
The blacks and whites of Prud'hon's drawings carried a full range of densities from opaque to transparent, from fine and firm to fat, intense and fluid. Sometimes a charcoal-like "mist" was used. Stumped areas leave a trace of the original lay-down of color, reading as a subtle vibration...
Note the soft transparent gray surrounding the arm, the blended veil of white in the arm,
Next Page: Discussion: Modern Materials
What's New? | Shortcut
Entrances: | Studio -|
Alzofon Art Institute
-| Idea Library | Academy | Guest Wing |
Rebecca Alzofon can be e-mailed
at rebecca@art.net
This page updated July 16, 2003
1999 by Rebecca Alzofon.
All rights reserved.